This movie has always been in my favorites. Charlie Kaufman's surrealist filmography shows an approach unparalleled by and large in Hollywood. A philosopher with a day job as a script writer. He won an Oscar for the screenplay of this film. Maybe for this scene in particular. Impossible to watch without a chill:
INT. HOUSE - CONTINUOUS She runs upstairs, giggling. The room is drying out, turning into a husk. JOEL (calling after her) I really should go. I really need to catch my ride. VOICE-OVER I didn't want to go. I was too nervous. I thought, maybe you were a nut. But you were exciting. You called from upstairs. CLEMENTINE (CONT'D) (flat) So go. JOEL I did. I walked out the door. I felt like I was a scared little kid. I thought you knew that about me. I ran back to the bonfire, trying to outrun my humiliation. You said, "so go" with such disdain. CLEMENTINE (CONT'D) (poking her head downstairs) What if you stay this time? JOEL I walked out the door. There's no more memory. CLEMENTINE Come back and make up a good-bye at least. Let's pretend we had one. Clementine comes downstairs, vague and robotic, making her way through the decaying environment. CLEMENTINE (CONT'D) Bye, Joel. JOEL I love you. She smiles. They kiss. It fades. CLEMENTINE I -- EXT. BEACH - NIGHT
I've always had a thing for Adaptation and the first five minutes of Being John Malkovitch.
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